The Gilpins and their Fortunes: A Story of Early Days in Australia — Context and Discussion

(0 User reviews)   877
Kingston, William Henry Giles, 1814-1880, Webb, Archibald, 1887-1944 [Illustrator] Project Gutenberg 2007 Not confirmed
Christian life -- Juvenile fiction; Australia -- Juvenile fiction; Friendship -- Juvenile fiction; Adventure and adventurers -- Juvenile fiction Readers of public-domain and historical texts
Project Gutenberg digital edition en

Edition facts

Words 35,019
Reading time 153 min
Text sections 3

For The Gilpins and their Fortunes: A Story of Early Days in Australia — Context and Discussion, the stored edition analysis reports 35,019 words, 2 hr 33 min estimated reading time, and 3 detected text sections.

The text analysis averages about 22.9 words per sentence, while the detected sections provide another way to judge how the source is divided.

Project Gutenberg metadata also associates the work with “Christian life -- Juvenile fiction,” connecting these edition facts with the source record’s subject description.

This editorial note examines the structural movement between England and the Australian bush in Kingston's colonial adventure, focusing on the fortification scenes, the moral debates among the Gilpin brothers, and the recurring image of the 'fatal line' drawn around the hut.
Share
Editorial Edition Score 4.5/5

Calculated from edition completeness, EPUB availability, text structure and catalogue metadata. Not a user rating.

How this score is calculated
  • Description quality20 pts
  • Title & short description10 pts
  • Source metadata20 pts
  • Text length15 pts
  • Chapters / structure15 pts
  • EPUB file integrity20 pts

Total of 100 points, scaled to a 2.5-5.0 range. Editions with an empty description or a missing EPUB file are not scored.

Edition quality

Read the Text

They were among the head boys, and were on the point of leaving it to enter on the work of active life, and make their way in the world. They had often of late discussed the important question--all-important, as it seemed to them--"How are we to make our way--to gain wealth, influence, our hearts' desires?"

"For my part, I cannot stand a plodding style of doing things," said Mark. "It is all very well for those without brains, but a fellow who has a grain of sense in his head requires a more rapid way of making a fortune. Life is too short to be wasted in getting money. I want to have it to spend while I am young and can enjoy it."

Arthur was silent for some time. At length he remarked, "It strikes me, Mark, that the object of making money is that we may support ourselves and families, and help those who are in distress. My father often says to James, and to me, and to the rest of us, `I don't want you, when you enter business, to be thinking only how you can make money. Do your duty, and act liberally towards all men, and you will have a sufficiency at all events, if not wealth.'"

"Oh! your father's old-fashioned notions won't do in the world, and certainly won't suit me, that I can tell you," answered Mark, in a scornful tone.

"My father is considered a sensible man. What he preaches he practises; and though he has a very large family, no one calls him a poor man," argued Arthur. "He says that, considering how short life is, it cannot be wise to spend the time, as many men do, in gathering up riches and setting so high a value on them. But here comes James! Let us hear what he has to say on the subject."

"Oh! of course, James has got the same notions from your father that you have, and I am not going to be influenced by him," answered Withers.

James, however, was appealed to, and answered, "Even if we were to live for ever in this world, I should agree with Arthur; for, from all I see and hear, I am convinced that wealth cannot secure happiness; but as this world is only a place of preparation for another, it is evident folly to set one's heart upon what must be so soon parted with."

Withers made a gesture of impatience, exclaiming, "Come, come, I won't stand any preaching, you know that; but we are old friends, and so I don't want to quarrel about trifles, when we are so soon to separate! You stick to your opinion, I will stick to mine, and we'll see who is right at last."

"If this matter were a trifle I would not press it, but, because I am sure that it is one of great importance, I do press it upon you most earnestly, though, believe me, I am sorry to annoy you," said Arthur Gilpin.

"Oh! I dare say you mean well," answered Withers, in a contemptuous tone. "But don't bother me again on the subject, there's a good fellow. You, James, are so above me, that I don't pretend to understand what you mean." Saying this with a condescending air, he shook hands with the two brothers, and entered the house of his father, who was the principal solicitor of the town.

The two Gilpins walked on towards their home. Their father possessed a small landed property, which he farmed himself. He had a very numerous family, and though hitherto he had been able to keep them together with advantage, the time had arrived when some of them must go forth to provide for themselves in the world. James and Arthur had long turned their thoughts towards Australia, for which part of the British possessions they were preparing to take their departure. Mr Gilpin, or the squire, as he was called, was looked upon as an upright, kind-hearted man. He was sensible, well educated, and a true Christian; and he brought up his children in the fear and admonition of the Lord.

The Gilpins and their Fortunes opens with a debate about wealth and duty between school friends Arthur Gilpin and Mark Withers, a conversation that establishes the moral framework for the story. The narrative then shifts abruptly to the Australian bush, where the Gilpin brothers face a siege by outlaws and disguised natives. The structure alternates between domestic English settings and frontier action, with the fortification of the hut serving as a central set piece. Kingston uses the physical act of drawing a line around the building to symbolize the boundary between civilized restraint and violent necessity.

Movement Between Worlds

The story opens in the English town of Wallington, where Arthur and Mark discuss their futures in a manner typical of schoolboy fiction. The transition to Australia is abrupt, with little description of the voyage. Once in the colony, the narrative focuses on the Gilpins' hut, which becomes a stage for repeated confrontations. The movement between scenes is not gradual but sudden, mirroring the disorienting experience of emigration. Kingston emphasizes the isolation of the bush setting by contrasting it with the orderly school life of the opening chapter.

The Fortified Hut as a Recurring Image

The hut is described in detail as the brothers reinforce its windows and doors with stronger bars and erect a stockade. This image recurs when the outlaws return with greater numbers. The physical structure becomes a character in itself, representing the settlers' vulnerability and determination. Kingston's description of the preparations—'putting stronger bars to the windows and doors' and placing a stockade 'outside at the weaker parts'—emphasizes the incremental nature of defense. The hut is not a home but a fortress under constant threat.

The Fatal Line and Moral Boundaries

James Gilpin draws a line around the building and declares that anyone crossing it will be fired upon. This line is both a tactical measure and a moral boundary. The outlaws hesitate, unable to see where the line lies, and the narrative notes that 'soldiers in battle will dare any danger, but villains engaged in a criminal act are always cowards.' Kingston uses the line to explore the tension between self-defense and aggression. The brothers agree to 'refrain as long as possible from shedding blood,' yet the line makes violence inevitable if crossed.

Voice and Dialogue in Crisis

During the siege, Kingston shifts between formal speech and colloquial outbursts. James speaks in measured commands: 'Stand back, men! If any one advances across the line we have marked out, we must fire.' In contrast, the servant Green exclaims in dialect: 'Noa, sur; I’d sooner cut out my tongue than give ye up to them arrant knaves!' This contrast highlights the social hierarchy even in crisis. The outlaws' demand to 'give up the men' introduces a moral dilemma, but the brothers reject it instantly, asserting solidarity over expedience.

Readers attentive to structure will notice how Kingston uses the fortified hut as a recurring focal point, returning to it after each threat. The moral debates of the opening chapter echo in the siege, where the brothers must act on the principles they earlier espoused. The line drawn in the dust is the story's most vivid image—a physical manifestation of the boundary between principle and survival.

I’ve always been struck by that ‘fatal line’ young Edwin draws in the dust against the bush. There’s a similar quiet geometry in the Gilpins’ world, that line between their sturdy hut and the wild beyond. I find myself recalling it whenever I sit with Owen's Fortune; Or, "Durable Riches" — Text and Context, where a different fortune waits, not in walls built, but in a heart's own sure boundary.

There are no reviews for this eBook.

0
0 out of 5 (0 User reviews )

Add a Review

Your Rating *
There are no comments for this eBook.

Reader reflection

Take a moment to reflect on this book

Create a short personal record of your experience with this book.

Your progress 0 / 10
1

What is your current status with this title?

2

How much did you enjoy the reading experience?

3

How likely are you to recommend this book?

4

How much effort did this book require?

Related eBooks