Under the Waves: Diving in Deep Waters — Themes and Context

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Ballantyne, R. M. (Robert Michael), 1825-1894, Pearson [Illustrator] Project Gutenberg 2007 Not confirmed
Pirates -- Juvenile fiction; Voyages and travels -- Juvenile fiction; Deep diving -- Juvenile fiction; China Sea -- Juvenile fiction Readers of public-domain and historical texts
Project Gutenberg digital edition en

Edition facts

Words 97,329
Reading time 424 min
Text sections 9

Under the Waves: Diving in Deep Waters — Themes and Context can be approached with a clearer sense of reading commitment from its source measurements: 97,329 words, 7 hr 4 min estimated reading time, and 9 detected text sections.

The text analysis averages about 21.3 words per sentence, while the detected sections provide another way to judge how the source is divided.

Project Gutenberg metadata also associates the work with “Pirates -- Juvenile fiction,” connecting these edition facts with the source record’s subject description.

Ballantyne's 1876 adventure follows engineer Edgar Berrington learning diving from old salt Baldwin, with a subplot involving Miss Pritty's comic terror of pirates in the China Sea. The preface stresses factual accuracy, and excerpts show technical diving details alongside humorous character sketches.
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Editorial Edition Score 4.8/5

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Read the Text

This was a very difficult book to obtain. There was a copy in the British Library, and another one in a Library in Dartmouth, Devon. For several years I tried at least weekly to find a copy via Abebooks or eBay, with no success. The copy belonging to the Ballantyne family had disappeared, not to put too fine a point on it. Eventually a kind family in Canada offered to scan the pages of their copy, and send the images to me, and this is the result.

Ballantyne did indeed try out some diving equipment, so as to obtain a first-hand feel for diving. It is related that something went wrong, too much air was sent down, and he surfaced rapidly upside down. A similar episode is related in the book.

Ballantyne's style often gives rise to two or even three stories continuing simultaneously, and here we have the adventures of one Rooney Machowl, an Irishman who decides to move from his ship's carpenter trade to that of diving. In fact divers should always have another trade, or they wouldn't be much use under the water. In addition there is the aspiration of Edgar Berrington to win the hand of a fair young lady, there are the events happening to the young lady's father, and then again the events happening to the young lady's companion. So it is all fairly convoluted. But you'll certainly learn a lot about diving, as the art stood in 1876. It is rather strange that Ballantyne, having written this book, which ran to several printings, did not much mention diving in any other of his books.

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UNDER THE WAVES; OR, DIVING IN DEEP WATERS, BY R.M.BALLANTYNE.

This tale makes no claim to the character of an exhaustive illustration of all that belongs to the art of diving. It merely deals with the most important points, and some of the most interesting incidents connected therewith. In writing it I have sought carefully to exhibit the true and to ignore the false or improbable.

I have to acknowledge myself indebted to the well-known submarine engineers Messrs. Siebe and Gorman, and Messrs. Heinke and Davis, of London, for much valuable information; and to Messrs. Denayrouze, of Paris, for permitting me to go under water in one of their diving-dresses. Also--among many others--to Captain John Hewat, formerly Commander in the service of the Rajah of Sarawak, for much interesting material respecting the pirates of the Eastern Seas.

R.M.B. Edinburgh, 1876.

INTRODUCES OUR HERO, ONE OF HIS ADVISERS, AND SOME OF HIS DIFFICULTIES.

"So, sir, it seems that you've set your heart on learning something of everything?"

The man who said this was a tall and rugged professional diver. He to whom it was said was Edgar Berrington, our hero, a strapping youth of twenty-one.

"Well--yes, I have set my heart upon something of that sort, Baldwin," answered the youth. "You see, I hold that an engineer ought to be practically acquainted, more or less, with everything that bears, even remotely, on his profession; therefore I have come to you for some instruction in the noble art of diving."

"You've come to the right shop, Mister Edgar," replied Baldwin, with a gratified look. "I taught you to swim when you wasn't much bigger than a marlinespike, an' to make boats a'most before you could handle a clasp-knife without cuttin' your fingers, an' now that you've come to man's estate nothin'll please me more than to make a diver of you. But," continued Baldwin, while a shade clouded his wrinkled and weatherbeaten visage, "I can't let you go down in the dress without leave. I'm under authority, you know, and durstn't overstep--"

"Don't let that trouble you," interrupted his companion, drawing a letter from his pocket; "I had anticipated that difficulty, and wrote to your employers. Here is their answer, granting me permission to use their dresses."

"All right, sir," said Baldwin, returning the letter without looking at it; "I'll take your word for it, sir, as it's not much in my line to make out the meanin' o' pot-hooks and hangers.--Now, then, when will you have your first lesson?"

"The sooner the better."

"Just so," said the diver, looking about him with a thoughtful air.

Ballantyne opens his preface by disclaiming any intention of writing an exhaustive treatise on diving, promising instead to focus on "the most important points" and "most interesting incidents." He thanks diving engineers Siebe and Gorman, Heinke and Davis, and Denayrouze for technical information, and Captain John Hewat for material on Eastern pirates. This blend of technical consultation and adventure sources shapes the novel's dual interest: the mechanics of underwater work and the perils of the China Sea.

The first chapter introduces Edgar Berrington, a twenty-one-year-old engineer who wants practical diving knowledge. His instructor, Baldwin, is a veteran diver who taught Edgar to swim and make boats as a child. The dialogue establishes a master-apprentice dynamic, with Baldwin's gruff, colloquial speech contrasting Edgar's formal, determined tone.

Diving as a Profession: Technical Detail and Character

The opening scene is set in a lumber-room cluttered with diving apparatus: "snaky coils of india-rubber tubing," lead-soled boots "upwards of an inch thick," and polished metal helmets. Ballantyne lingers on these objects, grounding the story in material reality. Baldwin's authority is limited by his employers; Edgar must produce a letter of permission. This small bureaucratic detail underscores that diving is a regulated trade, not a solo adventure.

Baldwin's speech is peppered with nautical terms and a skeptical attitude toward writing—he calls letters "pot-hooks and hangers." Edgar, by contrast, is methodical and prepared. Their exchange reveals a generational and class contrast: the practical diver versus the educated engineer. Ballantyne uses their dialogue to convey technical information without breaking the narrative flow.

Miss Pritty and the Comic Register of Peril

A later excerpt introduces Miss Pritty, a passenger who reacts to the threat of pirates with exaggerated horror. Her speech is a cascade of dashes, exclamations, and self-interruptions: "If I have one horror on earth which transcends all other horrors in horribleness, that horror is—pirates." She misremembers the captain's violent slang as "spiflicated" and "sent to somebody's locker," blending genteel sensibilities with gruesome content.

Ballantyne frames her as a comic figure—her seasickness is described with mock-epic gravity, and her dialogue is full of non sequiturs. Yet her fear is not entirely baseless: Aileen confirms that many local boatmen are pirates. The juxtaposition of Miss Pritty's melodramatic terror and the real danger creates a tonal shift from the technical opening, suggesting the novel will alternate between earnest instruction and humorous adventure.

The China Sea Setting: Pirates and Trade Routes

The catalog subjects list "China Sea -- Juvenile fiction" and "Pirates -- Juvenile fiction." The excerpts confirm this setting through Miss Pritty's voyage past the Straits of Malacca and Aileen's remark that "many of the boatmen and small traders on the coast are also pirates." Ballantyne's preface credits Captain John Hewat for material on Eastern pirates, indicating an effort at geographical and cultural specificity.

The novel's title, Under the Waves: Diving in Deep Waters, promises underwater action, but the excerpts so far show more surface travel and dockside instruction. The diving apparatus and the pirate threat are both introduced as elements that will likely converge once Edgar and Baldwin venture into the China Sea. The reader is left to infer how the technical diving lessons will apply to the pirate encounters hinted at by Miss Pritty's fears.

Ballantyne's preface explicitly separates his work from a technical manual, yet the excerpts show a careful integration of real diving equipment and procedures. The comic subplot with Miss Pritty provides a counterpoint to the earnest engineering dialogue, suggesting the novel will balance instruction with entertainment. Readers interested in Victorian adventure fiction with a factual basis will find the diving scenes worth attention, while those seeking pirate action may need to wait for later chapters.

Reading Ballantyne’s careful descriptions of the diving bell, I thought of my own scrapbook from years ago, with its pressed flowers and penciled notes on city trees. There is a similar patient wonder in how the girls observe their surroundings, cataloguing brick and leaf with the same earnestness as old Baldwin. A quiet link exists between his underwater world and their tidy streets—both are about learning to see closely. The Woodcraft Girls in the City — Background and Themes reminds me of that feeling.

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