The Two Supercargoes; Or, Adventures in Savage Africa — Edition Insights
Edition facts
This digital edition of The Two Supercargoes; Or, Adventures in Savage Africa — Edition Insights is described by source-level measurements including 105,796 words, 7 hr 40 min estimated reading time, and 9 detected text sections.
The text analysis averages about 23.6 words per sentence, while the detected sections provide another way to judge how the source is divided.
Project Gutenberg metadata also associates the work with “Pirates -- Juvenile fiction,” connecting these edition facts with the source record’s subject description.
Calculated from edition completeness, EPUB availability, text structure and catalogue metadata. Not a user rating.
How this score is calculated
- Description quality20 pts
- Title & short description10 pts
- Source metadata20 pts
- Text length15 pts
- Chapters / structure15 pts
- EPUB file integrity20 pts
Total of 100 points, scaled to a 2.5-5.0 range. Editions with an empty description or a missing EPUB file are not scored.
Read the Text
Swab was not at all ashamed of his origin. He used to tell us that he had risen, not from the gutter, but from the mud, like other strange animals, having obtained his livelihood in his early days by hunting at low tide for whatever he could pick up along the shore, thrown overboard from the lighters or similar vessels unloading at the quays. At length it was his good fortune to pick a purse out of the mud containing ten golden guineas, and, as he used to tell us, being convinced that he should never have a find like it, he resolved to quit his occupation, for which he had no particular fancy, and endeavour to obtain a situation where he might have a prospect of rising in the world. Though he could neither read nor write, he was well aware that those acquirements were necessary for his advancement, as also that a decent suit of clothes would greatly contribute to his obtaining a respectable place. These objects were now within his reach. The most easily attained was the suit of clothes, and these he bought, with a cap and a good pair of shoes, at a slopseller's, including three shirts, a necktie, and other articles of clothing, for the moderate sum of 2 pounds, 13 shillings and 6 pence. He had taken good care not to let the slopseller know of his wealth; indeed, that fact he kept locked in his own bosom, as he did his purse in a place in which no one was likely to discover it. The balance of the ten pounds into which he had broken he expended in supporting himself while he acquired the first rudiments of knowledge, with the aid of a friend, the keeper of a second-hand bookstall, a broken-down schoolmaster, who, strange to say, still retained a pleasure in imparting instruction to the young. Nicholas Swab first bought a spelling-book, and then confessed that he should find it of no use unless Mr Vellum would explain to him the meaning of the black marks on the pages.
"Then you do not know your letters, my poor boy?" said the old man in a tone of commiseration.
"No, sir, I don't; but I soon will, if you'll tell them to me," answered Nicholas in a confident tone.
"Sit down on that stool, and say them after me as I point them out to you," said Mr Vellum.
With great patience he went over the alphabet again and again.
"Now I want to put them together, sir," said Nicholas, not content with the extent of the first lesson. All day long he sat with the book before him, and then took it with him to his home. That home, the abode of his mother, a widow, with a pension of five shillings a week, which enabled her to live, although too small to afford subsistence to her son, was in a small garret up a dark stair in one of the poorest of the back streets of Liverpool. Nicholas set working away by the flame of a farthing rushlight, and at dawn he was up again poring over his book.
Old Vellum was so pleased with the progress made by his pupil, that he continued to give him all the assistance in his power, not only teaching him to read but to write. In a few weeks young Nicholas could do both in a very creditable manner. Having thus gained the knowledge he desired, dressed in a decent suit of clothes, he went round to various offices in Liverpool offering to fill any vacant situation for which he might be considered fit. Although he met with numerous rebuffs, he persevered, and was finally taken into the small counting-house of which Mr Peter Crank's father was the head. To the firm, through all its various changes, he had remained attached, and though frequently offered opportunities of bettering himself, had refused to leave it. "No, no; I'll stick to my old friends," he always answered; "their interests are mine, and although I am but a poor clerk, I believe I can forward them."
The novel begins not on the African coast but in a Liverpool counting-house, where the narrator, a clerk, overhears news of the Arrow's return from Africa under the second mate, Godfrey Magor. The senior partner, Mr. Crank, is described with precise physical detail—"short and stout," with a "bald head, shining as if it had been carefully polished"—and the dialogue quickly establishes the firm's history with the slave trade, which they have renounced. This opening signals that the story will intertwine commercial and moral concerns with adventure.
From Ledgers to Leopards
The early excerpts establish a dual world: the orderly office of Crank, Trunnion & Swab, and the hazardous African interior. The narrator, Dick, is initially a passive observer at his desk, "driving our quills as fast as we could move them over the paper." But the arrival of the Arrow introduces death, fever, and piracy even before the action shifts. The transition from commerce to danger is abrupt: by the later excerpts, Dick and his companion Charley are hunting deer and facing a leopard at close range. The contrast between the clerk's stool and the African camp is stark, and Kingston uses it to underscore the transformation required of his characters.
Practical Peril in the Bush
The later excerpts are dominated by detailed survival procedures. When collecting firewood, the characters must "scrape together the sticks with a long staff, and turn them over before attempting to bind them up" to avoid scorpions. After killing a deer, they "hung up the deer as near to our fire as possible" and built a lean-to against dew. The leopard encounter is narrated with technical precision: Charley's bullet "struck the edge of a bone, and been slightly deflected," and the two agree never to hunt singly again. These passages function as embedded lessons in woodcraft, reinforcing the theme that survival depends on methodical caution rather than bravado.
Voice and Moral Undercurrents
The narrator's voice is that of a young man learning through experience. In the office scenes, he reports dialogue and observes character—Mr. Crank's "bright blue eyes, often twinkling with humour"—but in the African sections, his tone becomes more direct and urgent. The moral dimension is introduced early through the firm's renunciation of the slave trade, a detail that colors the subsequent encounters with African characters like the Kroomen and Aboh. Kingston does not dwell on abolitionist argument; instead, he embeds ethical choices in the plot, such as the decision to trust local guides and the respect shown for their skills.
Structure and Suspense in the Excerpts
The excerpts reveal a narrative that alternates between domestic and exotic settings, each with its own rhythm. The opening chapter uses dialogue and reported speech to convey information economically—Harry Bracewell's report of the Arrow's voyage covers fever, piracy, and survival in a single paragraph. Later, the action slows to describe the minutiae of camp life: building a fire, cooking venison, hoisting a leopard carcass with "a series of tackles" made from vines. This variation in pace keeps the reader engaged while building credibility for the dangers the characters face. The incomplete excerpts leave the full arc unclear, but the pattern suggests a journey from civilization into a world where self-reliance is paramount.
Readers approaching The Two Supercargoes for the first time should attend to the way Kingston balances technical detail with narrative momentum. The office scenes are not mere prelude; they establish the commercial and moral framework that makes the African adventures meaningful. The later passages reward careful reading of the survival procedures, which are both practical and symbolic. The excerpts suggest a work that values competence and cooperation over individual heroism.
The rain against the window blurred the lines between Liverpool’s counting-house and that wild African shore. I kept thinking about how Kingston’s heroes survived—rope, compass, a steady nerve. Later, my hand drifted to something lighter, The Motor Maids by Palm and Pine — Reading Notes, and found the same quiet competence, just under different skies, which felt like a small, warm comfort.
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